A note to give you a few details and some tips which I hope will help.
What we NEED FROM YOU
1. We need stamp-sized photographs of your Core Team for the Photo IDs. The Core Team includes – you, your editor and whoever will be assisting you on your edit and needs 24 hours access to the 24×7 Hub at the multiplex.
The Core Team will get Photo-IDs.
The other members of your team will get a temporary entry pass if they wish to attend on a particular day for a short while – the screening of the films etc.
The photographs should be passed on to us at least one day before the workshop date, at the pre-registration counter, between 11am & 1 pm and 4pm & 7pm. The counter will open on 23rd September. Out-of-town participants can hand over the photograph on the day of the workshop.
2. Please email us as soon as possible the names of the members of your team. Please mention the part they play in your team – Director / Editor / Cameraman / Assistant / Scriptwriter / Actor. Also tell us which of them are part of your Core Team and require Photo IDs
EQUIPMENT & SOFTWARE – you will work with.
1. Camera: MiniDv Camcorder – Panasonic AG-DVX102B
2. Editing: Final Cut Pro (FCP ) editing software from Apple.
3. The equipment will be at the 24×7 Hub at Fame Multiplex, 24th September onwards.
We do hope you are working on the following aspects or at least giving them some thought.
1. Screenplay – though you have already submitted your screenplay/ script we hope you are still mulling over it.
Think about your characters and characterization; how the screenplay is unfolding; the logic in the story – is the story convincing; has it captured the mood of the story; the beginning, end and climax of the film etc. etc.
2. Music: if you are planning to use music, make sure it is not copyright protected. You are free to even record your music beforehand if you have friends who are musicians.
3. Locations: make sure you have identified the locations – take into account the traveling time. The locations should ideally NOT be too far apart, since the traveling time will eat into the shooting time.
4. Actors/Casting: cast your characters well. Once you are done with casting, rehearse the script with your actors. This will allow you to not only test the ability of your actors but also the effectiveness of your script and dialogues.
5. Time-line: divide the 24 hours between your shoot and edit optimally. Ideally the shooting time should be 8 to 10 hours (including travel time) and 14 to 16 hours for editing (picture edit, sound + music track-laying, titles).
Work out your shoot schedule carefully. The locations you decide on, should ideally be close to each other. to save on travel time.